Mini ii–V of 6-

a two-chord GPS
Jazz · R&B/Soul
7ø7 → 37 → 6-

Any target can get its own ii–V: half-diminished a whole step above, dominant a fifth above. Aim it at 6- and you've tonicized the relative minor with jazz-grade smoothness.

hear it in “Autumn Leaves” — the whole tune is this
Lead-in — how players set it upDrop it after 1Δ7 — the ø7 signals 'minor destination ahead.'From 4Δ7 — the ø7 shares three tones and slips in unseen.Or from 1, announcing the minor turn immediately.Follow — where it usually goes6- can stay moody or lift back via 4.Extend in minor: 6-, borrowed b6, back through 5⁷.Or make it a modulation — cadence again in the relative minor.
Treat it as a mini key: over 7ø⁷–3⁷ play the 6- world's notes (raise the key's 5) and resolve to the 6-'s root.Target tones (in C)Bm7♭5 — lean on D (b3) · A (b7)E7 — lean on G# (3) · D (b7)Am — lean on C (b3)Half-step wiresF ↘ E · A ↘ G# · G# → A · B → C
Bm7♭57ø⁷
E73⁷
Am6-
Cmaj71Δ⁷
Bm7♭57ø⁷
Fmaj74Δ⁷
Bm7♭57ø⁷
C1
Bm7♭57ø⁷
E73⁷
Am6-
F4
G75⁷
Am6-
Abb6
G75⁷
Bm7♭57ø⁷
E73⁷
Amstay
Play this on the neck in Key Change Lab →

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