Two-Faced ii–V

your 2-–5⁷ is someone else's 3-–6⁷
Jazz · BebopC → Bb · +10 FR
2- 5⁷ = new 3- 6⁷ → new 2- 5⁷ → new 1

The ii–V you just played in the old key reads, in the key a whole step down, as iii–VI7 — the top of that key's lane. Refuse the expected resolution and let the lane keep falling: 3-, 6⁷, 2-, 5⁷, new 1. One module, two passports, and the border crossing happens mid-phrase.

hear it in bebop reharms · Tin Pan Alley pivots
Lead-in — how players set it upApproach the module from 1 so both readings are alive.Or spotlight the pun: fermata on 5⁷ while it changes passports.Or approach from 4 so the module arrives pre-loaded.Follow — where it usually goesOnce landed, the new lane keeps falling all the way home.Chain it — every landing's ii–V is also someone's iii–VI.Or come home the same door: the new 2-–5⁷ read up a step.
Keep the ii–V lick going past its expiry — the same line, unresolved, becomes the new key's iii–VI and falls naturally home.Target tones (in C)Dm7 — lean on F (b3) · C (b7)G7 — lean on B (3) · F (b7)Cm7 — lean on Eb (b3) · Bb (b7)F7 — lean on A (3) · Eb (b7)Bb — lean on D (3)Half-step wiresC ↘ B · B → C · D → Eb · Bb ↘ A · A → Bb · Eb ↘ DAcross the borderno shared tonic tones with Bb — cut clean and re-land
Dm7= new 3-⁷
G7= new 6⁷
Cm7new 2-⁷ · was 1
F7new 5⁷ · was 4
Bbnew 1 · was b7
C1
Dm7two-faced
G7two-faced
Dm72-⁷
G7hold… rebadge
F4
Dm7two-faced
G7two-faced
Gm7new 6-⁷ · was 5
Cm7new 2-⁷ · was 1
F7new 5⁷ · was 4
Bbnew 1 · was b7
Cm7new 2-⁷ = next 3-⁷
F7…and down again · was 4
Cm7read as old 1's iii-VI
Cold home
Play this on the neck in Key Change Lab →

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